L’insegnamento di Jean Cébron all’Accademia Nazionale di Danza di Roma (1973-1976)

Tiziana Leucci

doi:10.6092/issn.2036-1599/17684

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Tiziana Leucci CNRS-EHESS, Paris-Aubervilliers

Dance historian and anthropologist, Tiziana Leucci is a senior professor and research fellow at the Centre d’Etudes Sud-Asiatiques et Himalayennes and the Laboratoire d’Anthropologie Politique of the French National Center for the Scientific Research. Her Ph.D. thesis in Social Anthropology dealt with the ethno-history of the South Indian dancers and courtesans’ culture. She studied ballet and modern dance in Rome, and Bharatanāṭyam and Odissi styles in India. She authored a book, co-edited a volume and wrote several articles particularly on the construction of the bayadère. At present, she is co-directing two seminars, a research workshop at the Ecole des Hautes Etudes en Sciences Sociales in Paris, and a scientific project titled “Connected Histories of Dance” at the Maison des Sciences de l’Homme de Paris Nord. She teaches Bharatanāṭyam dance at the Conservatoire de Musique et Danse “Gabriel Fauré”.

DOI:

https://doi.org/10.6092/issn.2036-1599/17684

Abstract

This article focuses on the artistic career and the teaching method elaborated by the French dancer and choreographer Jean Cébron (1927-2019), and in particular on his work at the Accademia Nazionale di Danza in Rome where he taught modern dance and composition from 1973 till 1976, also transmitting and creating some of his coreographies. Trained in painting, music, ballet, modern dance, Labanotation, Javanese and Indian traditional dances under the guidance of his mother, M. Cébron, and of C. Zambelli, M. Craske, A. Corvino, K. Jooss, S. Leeder, T. Shawn, D. Anik, R. Gopal and other masters, Cébron performed, composed and taught in several prestigious schools, dance companies and opera houses. Pina Bausch was one of his artistic partners and talented students.

L’insegnamento di Jean Cébron all’Accademia Nazionale di Danza di Roma (1973-1976)

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