Un esercizio di biografia. Alicia Alanova tra danza d’arte e spettacolo commerciale  (1919-1945)

Giulia Taddeo

doi:10.6092/issn.2036-1599/20940

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Giulia Taddeo University of Genoa

Giulia Taddeo is a senior researcher in Performing Arts at the University of Genoa. She holds a PhD in Cinema, Music and Theatre from the University of Bologna, where she was a research fellow between 2018 and 2021. She was a fellow at the Centro Internazionale di Studi della Civiltà Italiana Vittore Branca and a visiting research fellow at IASH - Institute for Advanced Studies in the Humanities of the University of Edinburgh. She is the author of the books: Un serio spettacolo non serio. Danza e stampa nell'Italia fascista (2017), Festivaliana. Festival, culture e politiche di danza al tempo del “miracolo italiano” (2020), Danze futuriste: testi e pretesti (2023).

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https://doi.org/10.6092/issn.2036-1599/20940

Abstract

Starting from the finding, at the Enrico Prampolini Archive, of documentation relating to the Ballets Alanova (1945), the essay reconstructs a part of the personal and professional biography of Alicia Alanova, a dancer and choreographer of Scottish origin who, between the 1920s and 1940s, crossed very different artistic fields: the Ballets Russes company, revues and cabarets, modern dance concerts, cinema.

Un esercizio di biografia. Alicia Alanova tra danza d’arte e spettacolo commerciale (1919-1945)

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