Fare spazio. Conversazione con Simona Bertozzi

Michele Pascarella

doi:10.6092/issn.2036-1599/10298

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Michele Pascarella Independent researcher
Theater, dance and visual arts critic. Curious about other arts. For more than twenty-five years he has brought together and mixed stories, words, images and people. Since 1992 he has been involved in contemporary theater and narrative techniques, contemporary dance, books and music (especially from the Baroque period). As performing arts scholar, he is particularly interested in the revolutions of the twentieth century and in the interactions among different artistic practices. Thanks to the University of Bologna he discovered the world of contemporary visual arts: surprising authors and luminous works that have crossed the last hundred years. And maybe more. http://michelepascarellateatro.blogspot.it/

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https://doi.org/10.6092/issn.2036-1599/10298

Abstract

In the fragmented panorama of contemporary performing arts, the work of the dancer and choreographer Simona Bertozzi is characterized by the rigorous and visionary interweaving of theoretical intention and scenic praxis. The present conversation aims to highlight acts of thought and operating procedures, in a gesture of extroversion that - without pretending in any way to exhaust its complexity - intends to provide some precise access keys to an untamed and scientific creative universe. Bertozzi analyzes in detail principles and methods of creation put into action in the different training and creative contexts in which she operates, explaining the basic elements of a practice that is constituted by "rigor, amazement, resonance, wonder".

Fare spazio. Conversazione con Simona Bertozzi

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