Un modello di edizione critica coreica: problematiche relative al testo musicale e alla sua connessione con il dettato coreografico

Abstract

Elena Randi begins by describing the dance critical edition she conceived. She then focuses on the problem of how to connect the musical text to the choreographic text in two nineteenth-century dance notations: Stepanov and Justamant, both used to transcribe several of the masterpieces of the ballet repertoire. The Dance Philology research group is currently producing some critical editions based on these dance notations.