Un esercizio per ridefinire la pratica della performance, a partire da due esempi brasiliani

Abstract

In the last decade I have been moved by three questions that I would like to share in this essay: Is perception a cognitive action? Can a body movement be considered a concept? Can we recognize performance practice as an operator of destabilization of other artistic languages (dance, theater, films, literature etc.)? To deepen some of these ideas I will give some practical examples.