Toccare i suoni, sentire la luce. La poetica del limite di Alessandro Sciarroni

Flavia Dalila D’Amico

doi:10.6092/issn.2036-1599/7678

Toccare i suoni, sentire la luce: La poetica del limite di Alessandro Sciarroni

Authors

Flavia Dalila D’Amico

Flavia Dalila D'Amico is Temporary Research Fellow at the Department of linguistic and Literary Studies, University of Padua. She has obtained her PhD in Music and Performing arts at the Sapienza University of Roma on February 2017. Her Ph.D thesis has been focused on the relation between the performer's body and subjectivity in the field of performing arts. She is a theatrical critic for the web magazines “Alfabeta2” and “Artribune”. Since 2010 she has been working as a visual artist with the artisti collective Vjit.

DOI:

https://doi.org/10.6092/issn.2036-1599/7678

Abstract

The paper explores the relation between bodies and devices in Aurora (2015) a performance by the choreographer Alessandro Sciarroni. The aim is highlight that this relation configures an expanded subjectivity based on the scenic matters and the physical qualities of the performers. The performers of Aurora (2015) are real athletes of the goalball, a paralympic game for blind people. Their ability to conduct this game and their blindness shape a dramaturgical score founded upon the hearing instead of the sight.

Downloads

PDF (Italiano)

Published

2017-12-29

How to Cite

D’Amico, F. D. (2017). Toccare i suoni, sentire la luce: La poetica del limite di Alessandro Sciarroni. Danza E Ricerca, 9(9), 211–224. https://doi.org/10.6092/issn.2036-1599/7678

Download Citation

Issue

Numero 9 (dicembre 2017)

Section

Studies

License

Copyrights and publishing rights of all the texts on this journal belong to the respective authors without restrictions.

This journal is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License (full legal code).
See also our Open Access Policy.