Toccare i suoni, sentire la luce: La poetica del limite di Alessandro Sciarroni

Abstract

The paper explores the relation between bodies and devices in Aurora (2015) a performance by the choreographer Alessandro Sciarroni. The aim is highlight that this relation configures an expanded subjectivity based on the scenic matters and the physical qualities of the performers. The performers of Aurora (2015) are real athletes of the goalball, a paralympic game for blind people. Their ability to conduct this game and their blindness shape a dramaturgical score founded upon the hearing instead of the sight.