Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011

Authors

  • Stefania Onesti

DOI:

https://doi.org/10.6092/issn.2036-1599/3276

Abstract

Mime, Music and Drama on the Eighteenth-Century Stage by Edward Nye (Cambridge University Press, 2011) has the merit of inspiring a strong reflection on ballet d'action, connected with cultural, literaturary and philosophic environment of Eighteenth century. The author, with brilliant insight and careful historical research, explores the most debated issues of the new genre, providing an unusual interpretation. The review traces the focal points and the structure of the book, developing further consideration of some of the most challenging aspects offered by the text.

Published

2012-11-19

How to Cite

Onesti, S. (2012). Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d’Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011. Danza E Ricerca, 2(3), 259–270. https://doi.org/10.6092/issn.2036-1599/3276

Issue

Section

Reviews