Percezione aptica, feedback sonoro e mediazione tecnologica

Andrea Giomi

doi:10.6092/issn.2036-1599/7679

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Andrea Giomi

Digital artist and Ph.D. in Music and Performing Arts, he currently teaches at Accademia di Bella Arti “Brera” of Milan. His research focuses on embodied music cognition, motion-sensing technologies,human-computer interaction, aesthetics of digital arts and phenomenology of perception. In his work, he aims to develop and interlace three axes of analysis: theoretical, aesthetic and practice-based. As performer, his major interests involve improvisational processes in electroacoustic and live electronic music. He is also sound designer in Kokoschka Revival theatre company and artistic collective. He presented his artistic works at many international festivals like Inner Spaces/Auditorium San Fedele and NAO Performing Festival (Milan, IT), Biennale del Design (Saint Etienne, FR), Tempo Reale Festival (Florence, IT), aCROSS Festival (Plaisir, FR), Festival Manca (Nice, FR), MIRA Festival (Barcelona, ES), Festival Polline and LPM (Rome, IT).

DOI:

https://doi.org/10.6092/issn.2036-1599/7679

Abstract

Starting from the analysis of a case study, this article presents the creation of a technological and pedagogical device enabling real time interaction between gesture and sound. The research has been developed during the class of “Movement Analysis” at Nice University. Several students from the Bachelor’s degree programme in Dance have been involved. This study analyzes how the sonification of both movement and muscular activity allows students to transduce haptic informations, previously experienced during the manipulation of an object, into somatic qualities, thereby enabling the construction of dancing patterns.

Percezione aptica, feedback sonoro e mediazione tecnologica

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