Numero 3 (novembre 2012)

DOI: https://doi.org/10.6092/issn.2036-1599/n3-2012

Published: 2012-11-20

Editoriale

Eugenia Casini Ropa
- PDF (Italiano)

Studies

Textures of techniques and styles in contemporary dance traditions. Notes

Francesca Magnini

01-34
- PDF (Italiano)
A picture story of Coppélia ou La Fille aux yeux d'émail

Concetta Lo Iacono

35-60
- PDF (Italiano)
The dancing body of Futurism: aviation history and the attempt of dancing and flying

Sayaka Yokota

61-84
- PDF (Italiano)
“Visual design and dance”: dance as a research instrument

Cristina Barbiani

85-104
- PDF (Italiano)
Mary Wigman: the coreography of Carmina Burana

Elena Randi

105-124
- PDF (Italiano)
The antibody Hijikata Tatsumi

Éden Peretta

125-168
- PDF (Italiano)
Jan Fabre: death and rebirth of the theater

Roberto Giambrone

169-180
- PDF (Italiano)
Jean-Pierre and Luc Dardenne: a cinema that dances

Maria Federica Gesù

181-226
- PDF (Italiano)
Prehistoric iconography and dance: preliminary observations

Gaudenzio Ragazzi

227-252
- PDF (Italiano)

Visions

L’opera d’arte di danza. Ovvero: Come dovrebbe concretamente vivere

Rudolf von Laban

253-258
- PDF (Italiano)

Reviews

Mime, Music and Drama on the Eighteenth-Century Stage. The Ballet d'Action. Edward Nye, Cambridge-New York, Cambridge University Press, 2011

Stefania Onesti

259-270
- PDF (Italiano)