Numero 12 (dicembre 2020)

Studies

New Choreographic and Musical Handwritten Sources for the Study of Social Dance in Italy Between the End of the Eighteenth and Early Nineteenth Centuries

Ornella Di Tondo

9-28
- PDF (Italiano)
From Philology to Theatrability, and Back: the Role of the Dancing Choir in Classical Plays at the Teatro Greco of Siracusa between 1914 and 1948

Giulia Bordignon

29-60
- PDF (Italiano)
Stella Bloch’s Drawings on the Border Between Dance and Writing

Samantha Marenzi

61-84
- PDF (Italiano)
The Hero in the Wrong Way. About Kassian Goleizovsky’s Heroic Study

Polina Manko

85-100
- PDF (Français (France))
The “Powers” of the Dancing Body. Philosophical Cues on the Symbolic Dimension of Dance Starting from Susanne Langer and Daniel Stern

Simona Donato

101-120
- PDF (Italiano)
Thinking the Body and Dance with Jean-Luc Nancy

Enrica Spada

121-132
- PDF (Italiano)
Nudity as a Unifying Figure. Uses of the Naked Body in French Choreography Starting from the 1990s

Giuseppe Burighel

133-148
- PDF (Français (France))
Extending the Threshold of the Danceable. Posture and Voice in Yasmine Hugonnet’s Choreographic Research

Piersandra Di Matteo

149-169
- PDF (Italiano)
Butoh Training and the Quantum Body. An Interpretation of Kasai Akira’s Work

Maria Pia D'Orazi

171-180
- PDF
Fabulating the Japanese Body Inside and Beyond Performance and Choreography Through Butoh

Cristina Elias

181-200
- PDF
Dancing, Creating, Living Together: a Myth to Defend

Anna Kalyvi

201-214
- PDF (Français (France))

Dossier - Danza e museo

Dance, Performance and Museum: Reflections and Perspectives on Display

Susanne Franco

217-236
- PDF (Italiano)
Dance and Museum in a Pandemic Time. Strategies and Perspectives Starting from the Case of the European Dancing Museums Project

Gaia Clotilde Chernetich

237-249
- PDF (Italiano)
What Choreography Can Do in a Museum

Kirsten Maar

251-264
- PDF
Merce Cunningham’s Event #32. A Modularized Contribution to the History of Dance in Museums

Lisa Beisswanger

265-282
- PDF
«This a different angle»: Dancing at the Louvre

Marie-Louise Crawley

283-296
- PDF
Set Up at Punta della Dogana. A Multidisciplinary Experience, a Curatorial Perspective

Enrico Bettinello

297-308
- PDF (Italiano)
Anarchiving a Screendance Archive. Reenacting Choreographic Traces within Museo Madre

Letizia Gioia Monda

309-327
- PDF

Visions

Collection of Notices and Articles on Onorato Viganò and his Family Taken from the «Gazzetta Urbana Veneta»

Stefania Onesti, Onorato Viganò

331-370
- PDF (Italiano)
A Modern Dancer’s Primer for Action

Rosella Simonari; Martha Graham

371-378
- PDF (Italiano)

Reviews

Flavia Pappacena (edited by), Il ballo a Torino 1748-1762, Libreria Musicale Italiana, 2019

Roberta Albano

381-384
- PDF (Italiano)
Marian Del Valle, Bianca Maurmayr, Marina Nordera, Camille Paillet, Alessandra Sini (edited by), Pratiques de la pensée en danse. Les Ateliers de la danse, L’Harmattan, Paris 2020

Nika Tomasevic

385-387
- PDF (Italiano)

Erratum

Erratum. Elena Randi. Sylvie Bouissou, Pascal Denécheau, France Marchal-Ninosque (sous la direction de), Dictionnaire de l’Opéra de Paris sous l’Ancien Régime (1669-1791), Classiques Garnier, Paris 2019–

Elena Cervellati

391
- PDF (Italiano)

Full Issue

Studies

New Choreographic and Musical Handwritten Sources for the Study of Social Dance in Italy Between the End of the Eighteenth and Early Nineteenth Centuries

From Philology to Theatrability, and Back: the Role of the Dancing Choir in Classical Plays at the Teatro Greco of Siracusa between 1914 and 1948

Stella Bloch’s Drawings on the Border Between Dance and Writing

The Hero in the Wrong Way. About Kassian Goleizovsky’s Heroic Study

The “Powers” of the Dancing Body. Philosophical Cues on the Symbolic Dimension of Dance Starting from Susanne Langer and Daniel Stern

Thinking the Body and Dance with Jean-Luc Nancy

Nudity as a Unifying Figure. Uses of the Naked Body in French Choreography Starting from the 1990s

Extending the Threshold of the Danceable. Posture and Voice in Yasmine Hugonnet’s Choreographic Research

Butoh Training and the Quantum Body. An Interpretation of Kasai Akira’s Work

Fabulating the Japanese Body Inside and Beyond Performance and Choreography Through Butoh

Dancing, Creating, Living Together: a Myth to Defend

Dossier - Danza e museo

Dance, Performance and Museum: Reflections and Perspectives on Display

Dance and Museum in a Pandemic Time. Strategies and Perspectives Starting from the Case of the European Dancing Museums Project

What Choreography Can Do in a Museum

Merce Cunningham’s Event #32. A Modularized Contribution to the History of Dance in Museums

«This a different angle»: Dancing at the Louvre

Set Up at Punta della Dogana. A Multidisciplinary Experience, a Curatorial Perspective

Anarchiving a Screendance Archive. Reenacting Choreographic Traces within Museo Madre

Visions

Collection of Notices and Articles on Onorato Viganò and his Family Taken from the «Gazzetta Urbana Veneta»

A Modern Dancer’s Primer for Action

Reviews

Flavia Pappacena (edited by), Il ballo a Torino 1748-1762, Libreria Musicale Italiana, 2019

Marian Del Valle, Bianca Maurmayr, Marina Nordera, Camille Paillet, Alessandra Sini (edited by), Pratiques de la pensée en danse. Les Ateliers de la danse, L’Harmattan, Paris 2020

Erratum

Erratum. Elena Randi. Sylvie Bouissou, Pascal Denécheau, France Marchal-Ninosque (sous la direction de), Dictionnaire de l’Opéra de Paris sous l’Ancien Régime (1669-1791), Classiques Garnier, Paris 2019–

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