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Numero 12 (dicembre 2020)
Numero 12 (dicembre 2020)
DOI:
https://doi.org/10.6092/issn.2036-1599/n12-2020
Publiée:
2020-12-31
L'ensemble du numéro
PDF (Italiano)
Studi
New choreographic and musical handwritten sources for the study of social dance in Italy between the end of the eighteenth and early nineteenth centuries
Ornella Di Tondo
9-28
PDF (Italiano)
From philology to theatrability, and back: the role of the dancing choir in classical plays at the Teatro Greco of Siracusa between 1914 and 1948
Giulia Bordignon
29-60
PDF (Italiano)
Stella Bloch’s drawings on the border between dance and writing
Samantha Marenzi
61-84
PDF (Italiano)
Le héros à contresens. À propos de l’
Étude héroïque
de Kassian Goleïzovski
Polina Manko
85-100
PDF
The “powers” of the dancing body. Philosophical cues on the symbolic dimension of dance starting from Susanne Langer and Daniel Stern
Simona Donato
101-120
PDF (Italiano)
Thinking the body and dance with Jean-Luc Nancy
Enrica Spada
121-132
PDF (Italiano)
Nudity as a unifying figure. Uses of the naked body in French choreography starting from the 1990s
Giuseppe Burighel
133-148
PDF
Extending the threshold of the danceable. Posture and voice in Yasmine Hugonnet’s choreographic research
Piersandra Di Matteo
149-169
PDF (Italiano)
Butoh Training and the Quantum Body. An Interpretation of Kasai Akira’s Work
Maria Pia D'Orazi
171-180
PDF (English)
Fabulating the Japanese Body Inside and Beyond Performance and Choreography Through Butoh
Cristina Elias
181-200
PDF (English)
Danser, créer, vivre ensemble: un
mythe
à défendre
Anna Kalyvi
201-214
PDF
Dossier - Danza e museo
Dance, performance and museum: reflections and perspectives on display
Susanne Franco
217-236
PDF (Italiano)
Dance and museum in a pandemic time. Strategies and perspectives starting from the case of the European
Dancing Museums
project
Gaia Clotilde Chernetich
237-249
PDF (Italiano)
What Choreography Can Do in a Museum
Kirsten Maar
251-264
PDF (English)
Merce Cunningham’s
Event #32
. A Modularized Contribution to the History of Dance in Museums
Lisa Beisswanger
265-282
PDF (English)
«This a different angle»: Dancing at the Louvre
Marie-Louise Crawley
283-296
PDF (English)
Set Up
at Punta della Dogana. A multidisciplinary experience, a curatorial perspective
Enrico Bettinello
297-308
PDF (Italiano)
Anarchiving a Screendance Archive. Reenacting Choreographic Traces within Museo Madre
Letizia Gioia Monda
309-327
PDF (English)
Visioni
Collection of notices and articles on Onorato Viganò and his family taken from the «Gazzetta Urbana Veneta»
Stefania Onesti, Onorato Viganò
331-370
PDF (Italiano)
A Modern Dancer’s Primer for Action
Rosella Simonari; Martha Graham
371-378
PDF (Italiano)
Recensioni
Flavia Pappacena (edited by),
Il ballo a Torino 1748-1762
, Libreria Musicale Italiana, 2019
Roberta Albano
381-384
PDF (Italiano)
Marian Del Valle, Bianca Maurmayr, Marina Nordera, Camille Paillet, Alessandra Sini (edited by),
Pratiques de la pensée en danse. Les Ateliers de la danse
, L’Harmattan, Paris 2020
Nika Tomasevic
385-387
PDF (Italiano)
Errata
Erratum. Elena Randi. Sylvie Bouissou, Pascal Denécheau, France Marchal-Ninosque (sous la direction de),
Dictionnaire de l’Opéra de Paris sous l’Ancien Régime (1669-1791)
, Classiques Garnier, Paris 2019–
391
PDF (Italiano)
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